Category Archives: Movies

Gran Torino

Saw Gran Torino today, keeping up my 1-film-a-week routine. Well, other than last week, but we were in Hastings, so I’ll let myself off.

The story is basically about Charlton Heston turning into Paul Newman.

It was pretty good. At times fantastic, with some very funny moments of Grumpy Clint. Ocasionally it slid into a bizarrely cartoony tone which didn’t seem to really fit with the serious themes. On the other hand, the only scene I really didn’t like was between clint and the priest on the porch – it felt like they stopped talking to each other and instead began to preach at the audience. It’s that overblown sense of self worth that has always put me off Clint’s recent Oscar films.

The acting from some of the younger cast also seemed rather dopey and inconsistent – though that could just be because I’ve been spoiled by the amazing young cast of The Wire.

Inevitably it eventually went more for crowd-pleasing wish fulfillment rather than realism, but there’s no denying the satisying emotional impact of the finale.

So yes, good, entertaining stuff but not as hard hitting, as complex or as subtle as I’d hoped.

On the plus side, at least the climax didn’t turn into Clint Eastwood Shoots Teenagers.

Watchmen

Finally saw Watchmen this afternoon, and utterly loved it.

Crucially, the characters on the screen are exactly as I saw them in my head when reading the book, and that was always going to be the main thing for me.

I haven’t made my mind up about the changes to the ending yet. I’ve never been a huge fan of the alien invasion ending from the book, and while the new trick fixes some of the problems I’ve always had with the book it also introduces a whole range of other problems.

Regardless, though, the disappointment with them changing the ending wasn’t enough to spoil the rest of the film, which was pretty flawless for me (other than some dodgy make-up). Loved the sense of ‘place’ in the alternate 80s, the constant feeling of impending doom, all the little details they’d got absolutely right, the love triangle with Laurie-Jon-Dan, the odd friendship between Rorscach and Nite Owl 2…

This, of course, is approaching it from the point of view of a reader. Josh and Tim both seemed to like it as well, but I can only imagine that it felt like a bit of an info-dump of a film – so much backstory and character and plot to get through, without any room to pause, breathe and let it all sink in. I found it emotional because I had the comic to fill in the gaps, which meant I didn’t have to filter through all the information of the unusual world that is presented. For newcomers I imagine it’s so dense that there isn’t really time to get emotionally invested.

All of which means I can’t wait for the director’s cut. The extra 15-30 minutes should hopefully give the film time to pace itself a bit more, and to fit in some more time for the the incidental characters such as the psychiatrist, the newsvendor & comic book reader etc.

As for the music…dunno what people are complaining about. I thought all of the source music was superb and spot-on, evoking the period piece or particular historical/pop/political significance. Even Ride of the Valkyries was great – very satirical, amusingly contrasting the Vietnam we’re so familiar with (ie, Apocalypse Now & co) with the Vietnam that occurred due to Manhattan’s existence.

This is a serious step up for Synder from the fun, but rather shallow interpretation of 300.

(also saw Starter for 10 this weekend, which was a bit of a contrast with Watchmen. Jolly good fun, though it felt like a third of the movie was missing. Just as it was really getting going, it kinda just…stopped)

Slumdog Millionaire

Finally got round to seeing this film, having heard about it for months and watched it gradually make the rounds of all the award shows. Inevitably it’s gone from being hugely popular to having a post-Oscar backlash, as is inevitable for anything that has that much success in such a short time. Some people seem a little angry that a film as uplifting and inspirational as Slumdog can win so many Oscars, as they’d rather see more overtly worthy films take the gongs.

Somehow through all the publicity I completely avoided any semblance of spoilers – I hadn’t even seen a trailer – and thus went in knowing only that it was Danny Boyle’s first film after Sunshine and that it had a great sountrack (Leiali got it for me a few weeks back after I raved about Jai Ho having heard it on the radio). Going in blind is definitely the best way to see this film, as it zips around India and reveals its small-scale-epic story.

Great performances, great music, great script, great ending. It has the balls to take you down really low and hit bottom before taking you back up again, which is precisely why it’s suc a successful ‘feel good’ movie. Every generic romcom could learn a lot from Danny Boyle & chums.

The Curious Case of Benjamin Button

Went to cinema for the first time in months this afteroon to see The Curious Case of Benjamin Button. I’m not entirely certain when I last went to the cinema, which gives you an idea of how long ago it was, but I believe it may have been to watch Hellboy 2.

CCBB is by David Fincher, which was my main reason for wanting to see it. In the end, it’s the least Finchery film I’ve seen of his, but still has all his usual technical sleight of hand and darkly effective visuals. It was a long, winding, whimsical story which kept me entranced throughout, although rarely did it move me quite as much as I expected. Performances from the giant cast were great all round, though. While Brad Pitt is getting all the attention, and he is superb, it was Cate Blanchett and Tilda Swinton that stole the show for me.

The closest thing to an action sequence was also marvellous…a tugboat ramming a Nazi u-boat. Brilliant! I really hope Fincher has a go at science fiction one of these days, he’d doubtless come up with something remarkable.