Tag Archives: editing

That’s quite enough politics, thank you

Gosh, it’s been a noisy few months. First there was the Digital Economy Bill debacle, swiftly followed by the Digital Economy Act debacle, then the General Election reared its ugly head, with the Paul Chambers Absurdity coming in at the end. All jolly exciting and extremely useful for boosting up my blog’s visitor stats, but not particularly conducive to getting on with anything else.

So for a little while I’m going to attempt to focus a little on the four main projects I currently have on the bubble. Yes, four major projects, all happening at once. Exactly the kind of thing I vowed at the start of the year to avoid. Ah well, such is the inevitable allure of cool creative things. Here’s where I am with them all:

  • My dad’s polar explorer biography is top of the list, seeing as how he already has a publisher waiting for it. I’m editing the book at the moment, which is proving rather fascinating. It’s great to learn about a historical figure while also editing and hopefully improving the text. It’s dad’s first book and other than some structural and attribution errors he’s done a pretty good job, from what I’ve read so far. It should be a really entertaining, informative biography by the time it’s done.
  • Next up is Nigel’s Steamtech short film. This one has been languishing in post-production for a long while now, which is in large part my fault, I’m ashamed to say. On the plus side, things are moving along quite nicely on it now, with effects shots gradually being completed. The first set should hopefully be done in the next week or two, clearing the way for the extremely tricky miniature composites. I don’t know exactly how Nigel plans to release the film yet, but we aim for it to be finished end of July, at which point either the full thing or a teaser trailer may emerge onto the web.
  • The newest addition to the list is an audio drama podcast that is being produced by the Jack Steel boys. After nailing Jack Steel series 2 they’re really ratcheting up the ambition-o-scope with this new project, not least through inviting other writers to contribute episodes. I’ve now seen the series bible and it is a marvelous thing, with just enough detail to fire off the imagination without being too limiting. There’s potential for excellent standalone adventures and mysteries within a slow burning, long form, multi-series narrative. I’m extremely excited about it and think it could run and run if we get it right.
  • Then, of course, there’s Of Rock And Earth, which is still coming along but has inevitably taken a bit of a back seat due to the more pressing projects above. It’s very near to completion, however.

Lots to do (and this is just the major, current projects).

And Red Dead Redemption isn’t helping.

Evinden – first feedback

You may remember that when I’m not ranting about the Digital Economy Bill, I like to spend my time writing. Late last year I finished the first draft of my first novel, Evinden, and this weekend I received a response from the first person to read the book in its entirety.

The comments were courtesy of Axel Wilkinson and were largely very positive, which is hugely exciting. It’s only one person and one opinion, of course, but I think my relationship with Axel is of a sort whereby he would feel able to be honest and not sugar coat his thoughts. More importantly he also included a range of suggestions, all of which are superb. They’re mostly small things which have a big impact – such as re-using a prop from earlier in the story in the climax, or extending certain sequences, bridging others…all of which will add up to a major improvement.

I had written more, but this laptop’s internet connection is all over the place, so I will adjourn for today.

Arms Race

I’ve begun work editing Arms Race, the steampunk period peace set during an alternative Crimean War directed by my friend Nigel Clegg. We shot it last summer out in the wilds of Norfolk. So far it’s being kept under wraps, so that we don’t spoil the nifty set, costumes and miniatures we’ve got going on.

I was cinematographer during the shoot, which was quite a challenge given that I don’t really have any formal training. While I think I’m a decent cameraman and can work our HVX-200 nicely, and know how to frame a shot, I’m by no means a lighting man. This didn’t matter hugely given the micro-budget of the film and the location shoot, which rather limited how much control we had over such things. The weather played silly buggers all day, with the sun popping in and out of clouds every twenty minutes. It makes or some rather mis-matched footage, but hopefully nothing we can’t fix with a spot of grading magic.

Anyway, the edit hath begun: I really liked editing. It’s the most creative and least stressful part of the process, demanding you think laterally to work around potential limitations with the material. It’s also where the film can be reinvented or ballsed up. It’s essentially a counterpart to the scriptwriting process: the story begins with the script and ends with editing. Everything else is technique – vital nonetheless, of course.

What else? Well, Axel Wilkinson, a long-time remote colleague and (I’d like to say) friend of mine from the States is arriving in Norwich tomorrow morning. He should be in the air right now, in fact. He’s always been one of our most supportive customers, testers and community members at FXhome, as evidence by him winning a community-voted award in 2009. Great guy and I’m really looking forward to meeting him and working with him face-to-face for the first time while he’s here on a consultancy basis next week.

Currently pondering projects: my three at the moment are Evinden, Of Rock And Earth and Arms Race. Here’s their current status:

Evinden: First draft complete, currently with Slava and Nadia for some feedback. Regardless of when that feedback arrives, I’ll be moving into the second draft as soon as my other book hits first draft…

Of Rock And Earth: Three quarters towards a first draft. Slow going due to going back to work and being distracted by the likes of Dragon Age and Uncharted 2, but I’m hoping to accelerate progress soon. Which won’t be easy once I hit February and go skiing for a week. Anyway, this is my current main priority – need to get a first draft finished so I can go back to Evinden, as well as try my hand at some short stories.

Arms Race: Edit just begun, opening sequence complete in rough form. Hope to have a VERY rough first draft by the end of next week, ready for some extreme tightening. We can then identify and start work on the VFX shots.

Busy weekend coming up, meanwhile, which is never good for creative projects: Axeman arrives, we’re out for a meal with friends on Saturday, and off to my parents on Sunday. Plus we have to fit in buying skiing equipment at some point.

Right, Nadia’s busy stabbing hurlocks (evil things in Dragon Age, not the fat guy from Lost), so I think I’ll do some novel writing!

117120 – the road goes ever on

There are points when I wonder if I’ll ever finish this book. Not because I fear I’m going to give up – I’m not – but because it just seems to keep on going, no matter how hard I try to get it to hurry up. Hopefully this doesn’t mean that the pacing is completely off; with luck readers won’t have the same feeling!

It’s not that I’m not enjoying it either. I haven’t enjoyed the writing process this much since writing those first few Tranton chapters back in…whenever it was. 2003?

I suspect it’s a simple case of ‘finishing straight’ – for the first time I know I’m near to the end, I can see it, it’s just…there. And yet it stretches away from me, always just out of reach. Progress is fast and good still, though, despite me slipping past my second self-imposed deadline of the end of March. That’s what’s so frustrating, that no matter how fast I try to write, it’s not enough. Still, at least I’m not still writing at my 2008 pace, as I’d be nowhere near the home stretch.

There’s a growing excitement in me that people will be able to read this in just a matter of months. Not the snippets and jumbled versions I’ve printed and given out to a select few people in the past, but proper, complete works. Or mostly complete. Abandoned, perhaps, as the saying goes?

The plan is something like this:

April - Finish 1st draft. Despite interruptions such as a Derbyshire holiday, I’m determined to get the first draft finished this month.

May - Complete 2nd draft. This will be largely the same as the 1st draft, but with an amended first third to bring it in line with some plot amendments that I’ve made as I’ve gone along. This version I will send out to the people that have kindly offered to edit/offer criticism.

July - After a break and hopefully having received some feedback, I’ll get to work on the 3rd draft, which will function as a release candidate. It’s then just a matter of continual revisions until I have something I’m happy to publish (either ‘properly’ or self publish).

The good news is that once the 1st draft is done I can start to look at other projects as well, such as the film version of The Detective and the Robot.

Right, time to write some more.

Reset and start the clock Mr Gaeta:

30 days remaining.