There’s all sorts of slightly peculiar stuff going on in this chapter. It starts with what seems like a good ol’ ADoF action sequence – perhaps even the logical climax to the Cal and Holt fight that we were denied previously – and instead transitions into a bit of speculative sci-fi world building as we witness how Red handles crime, and then we get to witness the wonders of super advanced medical technology. (more…)
This entire chapter is one of exhilaration and reckless optimism, building on Kay and Cal’s incursion into the Aviary at the end of the previous. Here they make their boldest play yet, and get away with it. What they’re not ready for is a problem from their past, one which they’d unwisely forgotten about.
A reader commented on Holt after finishing the Arc 3 ebook: “As much as Holt’s mind may have been expanded by his recent travels, surely he’ll revert to type at the first opportunity.” Well, ‘Cancer’ is where Holt doesn’t fail to disappoint – he’s deliberately emblematic of a particular mindset and generation; one which refuses to reconsider, and which dismisses out of hand any evidence which counters their existing world view. (more…)
UPDATE: ADoF currently isn’t available in ebook form. It’ll be back at some point, bigger and better. Sign up to the mailing list and I’ll tell you when that happens!
The A Day of Faces ebooks have been available for a long time via Kobo, Amazon and Nook. Due to me finally pulling my finger out, you can now also grab them at Smashwords, Apple iBooks, Inktera, Baker & Taylor, txtr, Overdrive and Scribd. And, no, I’ve not heard of half of those, either. (more…)
There’s some nice dovetailing going on here, as Cal’s superpowers and Kay’s ambitions combine with the technology of Red to make this globe-trotting evangelising possible. Lots of different story elements have combined in this latter half of Arc 4, which I hope makes for a satisfying read. (more…)
For the longest time, a vague notion existed in the ADoF plot document which involved space travel. An early outline for Arc 2 included this:
While on the trail, the police start suspecting and move to arrest her, but she’s rescued by a Human. A completely normal Human, who is somehow on Locque and looking for Cal. Human has amazing technology, including space travel, and whisks her away (more…)
Last time I observed that Arc 4 has swelled to twice the size of previous arcs (I’m writing this particular diary retrospectively).
‘Stimulus’ could quite happily have marked the beginning of Arc 5, if I’d chosen to delineate it that way. I may still decide to split it that way when I create the ebooks versions, keeping each arc roughly the same kind of size. (more…)
I’d like to say this was planned from the start. I really would. Truth is, this twist was a fairly late addition to the story.
The plan had always been for Furey to have an unknown side, and that ‘Rose Furey’ wasn’t her real name. She was intended to be a bit of an enigma, even something of an overly-familiar trope (self-constructed, in her case), who would then be turned upside-down around about now. The specifics were always a little fluffy, though. (more…)
There’s a bit more exposition in this chapter than I’d like. It’s one of those pivotal chapters that reconfigures the story and points it off in a brand new and unexpected direction, and I feel like I did that somewhat less gracefully than I’d have liked.
That said, it’s also serving as something of a breather, giving readers (and the characters) a moment to sit back, relax, and have a break from the continuing tension. Essentially, Kay and Marv have been on the run in one way or another for about two whole arcs and haven’t had proper downtime since leaving the farmhouse at the start of Arc 3. They deserve a moment of peace and reflection. (more…)
The opening here is simultaneously a reminder of just how scary Cal and Kay can be, as well as showing how you always have a choice about how to act. Cal wields unimaginable power, and Kay is a strong and dangerous person, physically. But she’s not defined by what she is: she’s defined by what she chooses to do. Cal’s not quite as good at that.
This is Kay growing into her leadership position. Ezekiel is a horrid person. Revenge is easy. It even makes sense – one less enemy to worry about. But it sends a certain kind of message, and builds a certain kind of world, and that’s not what Kay’s about. (more…)
In my planning notes for this chapter, I wrote “Kind of a horror chapter”. That was the driving force behind it and what dictated the style and approach.
It’s a horror chapter in two parts. The first is Kay’s hopeless situation, as a mentally tortured prisoner. The second is Ezekiel’s increasing terror as his carefully controlled power centre disintegrates. Both are told from Kay’s limited and subjective perspective, but the victim shifts from her to Ezekiel as it progresses. (more…)