When Evinden was first conceived as a movie, it was intended to be told in a generally omniscient manner, leaping deftly between locations and characters with gay abandon. When I rejiggled it into a novel, I switched things around a bit so that it was third person subjective, with sizeable Read more…
So, only 692 more words since the last update, eh? It’s not quite as pathetic as it seems, however, as I’ve also made considerable progress on related documents, which have helped to bring the overall story arc and specifically the ending into sharper focus. As I start for real on Read more…
While I don’t deliberately live (at least) six months in the past, it invariably seems to work out that way. Which brings me to Bioshock. (more…)
