Category Archives: Writing

Comics & Inkscape; novels & Scrivener

It’s about time I mentioned a couple of rather excellent software products I’ve stumbled across in recent months.

First up there’s Inkscape, an open source vector graphics editor. Think GIMP, but for vector rather than raster graphics. I originally discovered it out of necessity while designing wedding invitations and table plans for my wedding last year. Having initially designed them in GIMP, I soon discovered that bitmapped fonts didn’t work too well once sent to the printers.

The fantastic guys over at GoWise didn’t let that phase them and worked closely with me to sort out the quality issues. If you’re looking for affordable and high quality printing I can’t recommend them highly enough – top chaps. After that, though, I decided it was time to equip myself with proper vector software. Unable to afford Adobe Illustrator I thought I’d have a rummage about to see if there was a vector-equivalent of GIMP: which led me to Inkscape.

Now, just as GIMP isn’t real competition to Photoshop if you have the money, I expect Inkscape isn’t direct competition to Illustrator either. BUT, if you’re just a dabbling amateur and have no intention of going further, the likes of Illustrator and Photoshop are ridiculously overpowered and overpriced. That’s where Inkscape comes in – it really does show just how marvellous open source software can be, and proved invaluable when creating the remaining wedding stationery.

Perhaps of more interest is that I’m now using it to illustrate the Arms Race comic. While GIMP or Painter might be a more obvious choice for hand-drawn, conetnt, I really like the precision of ink art in Inkscape. I’ll probably blog in more detail about the process soon.

Meanwhile, Stu Maschwitz wrote last year about Mac writing software called Scrivener. At the time it was Mac-only so I paid it no heed, but it’s now out for PC and is an absolute marvel. Being specifically designed for long-form writing, it’s proving an essential tool while I edit Evinden (I still haven’t decided on a title).

I’d found that the manuscript in Word was almost entirely impossible to wrangle from an editing perspective: there was no easy way to get a sense of the novel’s overall structure and pacing. Scrivenener on the other hand is designed precisely for this, splitting the manuscript up into sensible chunks with superb navigational and editing controls. There are some powerhouse features, but the benefits mainly come from hundreds of little minor tweaks and ideas that make the general process of editing a joy rather than a technical hassle.

If you’re writing something big, do check it out.

Koettlitz, Witcher short film VFX, comics

Time for a quick pre-work general update…

  • The local launch of my father’s book, Scott’s Forgotten Surgeon, takes place as Halesworth Bookshop this evening at 5pm. I’ll be heading down to Suffolk for it and can’t wait. Really very proud of him for not only having completed the project but having got it properly published as well!
  • Found a rather nifty website full of comic fonts and useful info on ruling for a comic page layout. Check out Blambot here. I’ll be blogging more about the Arms Race comic in the near future, as I attempt to regain my drawing abilities…
  • Last night had a VFX spotting session with director Christopher Puttock on his sort-of Witcher-inspired short film. It’s a cool action sequence, very nicely shot by Tom Martin of Fast Forward Media. Not sure when it’ll be out, but it’ll be a good one, I think. Looking at the list, there’s about 10 essential VFX shots and another 11 nice-to-haves. While that’s quite a few for such a short film, the latest updates to HitFilm will make most of them a doddle.
  • Talking of which, I’m adding the finishing touches to this year’s FXhome Christmas Video, which is probably our silliest yet. And given last year’s, that’s saying something. Should hopefully be quite amusing!

Introducing Dr Reginald Koettlitz, polar explorer

Rather surprisingly given my own intolerance to physical exertion, a couple of generations back my family has a genuine polar explorer, who even accompanied the (in?)famous Captain Scott on his first attempt to reach the South Pole.

Dr Reginald Koettlitz was a true explorer from a heroic age when the world was still an enormous, undiscovered place, as yet unconnected by aeroplane and the internet. When men set sail for distant lands they would be gone for years without contact, entirely at the mercy of nature with only their survival skills keeping them alive.

Koettlitz travelled to the North and South Poles and also journeyed up the Amazon and through eastern Africa. His story is a fascinating one of the British establishment colliding with the harsh realities of polar survival. There is an argument to be made that had Koettlitz’s expertise been acknowledged on the first voyage of the Discovery to the South Pole, Scott and his fellows should never have died on their second expedition.

For several years my father, Aubrey Jones, has been writing the first biography of Koettlitz, a figure who until now has been largely ignored by history despite his notable interactions with Scott, Shackleton and Nansen and his achievements in medicine. The book, titled Scott’s Forgotten Surgeon, is released this month through Whittles Publishing with a launch event on board the Discovery in Dundee, Scotland.

I’ve had the privilege of being involved with the creation of the biography having edited the first draft of the book and contributed to its overall structure. This marks the first book I’ve worked on to be published, which is hugely exciting.

Scott’s Forgotten Surgeon can be purchased, of course, from Amazon and all good bookstores. It’s a fascinating tale and one I’d recommend to anybody with an interest in exploration or polar history.

Alessio Rastani, infocracy and Wikimoku

A man called Alessio Rastani trended all over the internet in the last 48 hours due to a remarkable interview he gave on the BBC. You can read all about it here.

What he talked about isn’t particularly startling – it’s what any slightly cynical or rational person will have observed about the world. It is quite startling that he said it at all, though. As with all these things, banking and dodgy News International journalism and political lobbying and capitalism in general relies on plausible deniability. Even if everybody knows dodgy stuff is going on, as long as nobody actually says it out loud, it’s fine and can continue.

Already rumour is going around that Alessio Rastani is a hoax or prank, a character created by anti-capitalists to stir up trouble/spread awareness. The BBC are stating that he is legit. Even if he isn’t a hoax, though, you can bet there are vested interests drawing up smear campaigns and trying their damnedest right now to undermine his credibility however they can – the corrupt and deceptive economy and society we find ourselves in relies on a kind of global sleight of hand, or a voluntary mass ignorance (or perhaps an obligatory look-the-other-way). When the cogs of the machine start to shine a light on the inner workings, it’s a lot harder to maintain that plausible deniability, and a lot harder to paint capitalism and markets as an uncontrollable, natural force – rather than the man-made, controlled system that it is.

Anyway, this is really just a long, self-indulgent excuse to plug a short story I wrote a few months back. Titled Wikimoku, it’s about the creation of the first truly infocratic society, in which This Kind Of Thing wouldn’t happen. It’s a theme I’d definitely like to expand upon, either in further short stories or perhaps a longer form.

You can read it here. I’d really like to know what you think of it.

Short story: The Reaper Meter

A few months back I wrote this for the Writers & Artists short story competition. It didn’t get anywhere, which means I can now put it online for general perusal.

It’s called The Reaper Meter and is an idea I’ve had floating around for ages, concerning a scientist attempting to identify exactly what his latest contraption actually does. I don’t think I really nailed it this time round, so I may well revisit the concept again in the future. I think there’s a really fun dark comedy to be found in it somewhere.

Click here to read the PDF.