Writing chapter 49: Society

The opening here is simultaneously a reminder of just how scary Cal and Kay can be, as well as showing how you always have a choice about how to act. Cal wields unimaginable power, and Kay is a strong and dangerous person, physically. But she’s not defined by what she is: she’s defined by what she chooses to do. Cal’s not quite as good at that.

This is Kay growing into her leadership position. Ezekiel is a horrid person. Revenge is easy. It even makes sense – one less enemy to worry about. But it sends a certain kind of message, and builds a certain kind of world, and that’s not what Kay’s about. (more…)

Writing chapter 48: Pain

In my planning notes for this chapter, I wrote “Kind of a horror chapter”. That was the driving force behind it and what dictated the style and approach.

It’s a horror chapter in two parts. The first is Kay’s hopeless situation, as a mentally tortured prisoner. The second is Ezekiel’s increasing terror as his carefully controlled power centre disintegrates. Both are told from Kay’s limited and subjective perspective, but the victim shifts from her to Ezekiel as it progresses. (more…)

Writing chapter 47: Metabolism

And so begins the mid-arc 3-parter! A fair few chapters in arcs 2 and 3 are relatively self-contained, due to the road-trippy nature of the plot. Metabolism shakes things up, by pulling the rug out from underneath our heroes.

Thus far they’ve been doing rather well. Even in Limbic System, when they’re in serious trouble, it’s mostly about Furey kicking ass. In Metabolism we see that they’re just as vulnerable as they’ve ever been. (more…)

Writing chapter 46: Wing

A structural oddity of A Day of Faces is that there’s rarely an evident antagonist, let alone an obvious Bad Guy. Holt fulfils that role for a while, but otherwise there’s only a general sense of insurmountable, conspiratorial forces. It’s rare for Kay & co to actually run up against them.

On the one hand, this runs into the Lord of the Rings ‘issue’ of there being no meaty Big Bad. Hence why the movies kept adding in Hero Orcs that the audience could properly dislike, while Sauron continued to be a vague background threat. (more…)

Writing chapter 45: Limbic system

This is the chapter in which Furey finally takes the gloves off. She’s been a controlled, simmering background player for the most part, with only occasional, brief moments of actual action – most notably at the end of Arc 3 on Hong Kong’s Peak.

‘Limbic system’, while still from Kay’s perspective, is essentially a Furey chapter. This is where she shows her quality, and demonstrates why she’s good to have along. That we see the action from the point of view of two people who are from a very different world (literally and figuratively, I suppose) makes it all the more entertaining, I hope – Kay’s experience of watching Furey at work is much like ours. (more…)

Writing chapter 43: Interlude #7

I’ve rather let these writing diaries slip of late, due to a rather intense month (entirely unrelated to ADoF). Let’s do some catching up.

Chapter 43, ‘Interlude #7’, concludes the mini-Cal/Holt sub-plot. This kicked off at the very end of Arc 2, and rumbled through Arc 3 in the interludes. At last, here in Arc 4, that storyline meets its ending. (more…)